{"id":165300,"date":"2026-05-04T13:15:03","date_gmt":"2026-05-04T12:15:03","guid":{"rendered":"https:\/\/www.max1023.fm\/?p=165300"},"modified":"2026-05-04T13:15:03","modified_gmt":"2026-05-04T12:15:03","slug":"asake-fourth-studio-album-mney","status":"publish","type":"post","link":"https:\/\/anaedoonline.ng\/?p=165300","title":{"rendered":"Asake’s M$NEY Is Out with 13 Tracks, Zero Limits"},"content":{"rendered":"

Asake Drops M$NEY\u00a0 :13 Tracks, Three Continents, and One Album That Changes the Conversation<\/strong><\/h2>\n

\u00a0By: Ezurumem Obinna\u00a0<\/strong><\/p>\n

Asake did not come to play small. His fourth studio album, M$NEY, landed May 1 via GIRAN REPUBLIC and EMPIRE\u00a0 and from the first second, it is clear this is not the Afrobeats<\/a> record anyone expected.<\/p>\n

It is bigger than that. Deliberately, unapologetically bigger.<\/p>\n

What Is M$NEY<\/strong><\/h3>\n

Thirteen tracks. Four continents worth of sound. One artist who clearly decided that four albums in was the right time to stretch every creative muscle he has. M$NEY opens with a live choral performance an unusual, almost theatrical choice that immediately tells you this ride is going to be different. From there it moves through orchestral arrangements, jazz-tinged strings, dance production, and amapiano before it closes out. No two tracks feel like they were built in the same room, and somehow it all holds together. That is the trick Asake pulled off here.<\/p>\n

The Features Tell the Story<\/strong><\/h3>\n

The album’s collaborations read like a deliberate cross-continental statement. French artist Tiakola shows up on Badman Gangsta<\/em>, a track built around a reimagined sample of Amerie’s 1 Thing<\/em>\u00a0 one of the more daring sonic swings on the project. DJ Snake pulls the sound into Worship<\/em>, pushing the album firmly into global territory. Then South African amapiano heavyweight Kabza De Small closes the loop on Asambe, a pairing that will have both fanbases paying close attention. Three features. Three different worlds. One cohesive record.<\/p>\n

\"Asake<\/a>
ASAKE<\/figcaption><\/figure>\n

In His Own Words<\/strong><\/h3>\n

Asake described M$NEY as a spiritual document as much as a music one. He said the album reflects his creative and personal evolution\u00a0 rooted in gratitude, shaped by experience, and honest about growth. Nothing about that sounds like an artist coasting on momentum. It sounds like someone building deliberately.<\/p>\n

The Numbers Behind the Man<\/strong><\/h3>\n

Four studio albums. Two Grammy nominations. The most entries on the Billboard U.S. Afrobeats Songs chart. The most-streamed artist on Spotify Nigeria. His previous album Lungu Boy<\/a> still holds the record as the longest-running number one album in Nigerian chart history.<\/p>\n

\n

The Verdict<\/strong><\/h3>\n

Early reception has been warm across the board, but Amen is generating its own separate conversation. The lyrics have sparked debate on social media that looks set to outlast the album’s rollout week comfortably. Watch that one closely. M$NEY<\/em> is Asake<\/a> in full creative flight\u00a0 genre-loose, spiritually grounded, and completely unbothered by expectation. Four albums in and he is still finding new rooms to walk into.<\/p>\n

Nigeria’s most-streamed artist just dropped his most interesting body of work yet.<\/p>\n","protected":false},"excerpt":{"rendered":"

Asake Drops M$NEY\u00a0 :13 Tracks, Three Continents, and One Album That Changes the Conversation \u00a0By: Ezurumem Obinna\u00a0 Asake did not come to play small. His fourth studio album, M$NEY, landed May 1 via GIRAN REPUBLIC and EMPIRE\u00a0 and from the first second, it is clear this is not the Afrobeats record anyone expected. It is […]<\/p>\n","protected":false},"author":3,"featured_media":165302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,34],"tags":[421,643,734],"class_list":{"0":"post-165300","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-afrobeat","8":"category-world","9":"tag-asake","10":"tag-mrmoney","11":"tag-money-album"},"_links":{"self":[{"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/posts\/165300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=165300"}],"version-history":[{"count":0,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/posts\/165300\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=\/wp\/v2\/media\/165302"}],"wp:attachment":[{"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=165300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=165300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anaedoonline.ng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=165300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}